From seemingly out of nowhere, Seattle, WA punk/popsters, The Presidents Of The United States Of America (now that’s more than a mouthful) seem poised to once again capture the imaginations of America’s youth. Although no bet is entirely safe, in this instance, the best way to endear one’s self to the mainstream is to completely cut across it; to turn one’s back to the establishment and create your own musical vein. That is exactly what The Presidents have done. Fresh from their 1995 Grammy nomination for “Best Alternative Music Performance,” and a certified double platinum debut release, the (other) boys from Seattle are ready for another term, with their sophomore release II; after all, this is an election year!

Over the years, critics have easily dismissed aggressive rock and heavy-metal music as trivial and unimportant. For the most part, the genre has often endured through charges of stupidity and shallowness. But when a particular artist has made such a substantial contribution to impact the whole hard rock music scene, non-believers are usually nowhere to be found.

What’s in a name? Well, for starters, a name gives you identity. It describes who you are. And for some, it even gives a glimpse at what’s inside. For recording artists, a name not only represents who you are as a group, but also as musicians. A name can either be so intriguing that you immediately want to hear more of what the band has to offer or it can completely turn you off. In the case of Los Angeles rockers Egodog, there’s a lot in name!

Not since the late Stevie Ray Vaughan has anyone burned up the blues like Kenny Wayne Shepherd. The “Tornado” from Shreveport, LA, who has, with his long blonde hair and Stratocaster in tow, rekindled blues in the 90s much like Clapton, Page and Beck did in the late 60s and 70s. With his own band, as well as the additional support of Double Trouble, Kenny Wayne simmers, steams and rocks the blues so as to attract a crowd of serious concert-going fanatics. His unadorned guitar lines alternately caress and blister, easily whipping the unassuming into a mass frenzy. His sophomore album, Trouble Is…, continues the high-octane deluge he started on Ledbetter Heights by echoing the influences of B.B. King and Jimi Hendrix, all the while updating the blues for a new generation of guitar fans.