Not since the late Stevie Ray Vaughan has anyone burned up the blues like Kenny Wayne Shepherd. The “Tornado” from Shreveport, LA, who has, with his long blonde hair and Stratocaster in tow, rekindled blues in the 90s much like Clapton, Page and Beck did in the late 60s and 70s. With his own band, as well as the additional support of Double Trouble, Kenny Wayne simmers, steams and rocks the blues so as to attract a crowd of serious concert-going fanatics. His unadorned guitar lines alternately caress and blister, easily whipping the unassuming into a mass frenzy. His sophomore album, Trouble Is…, continues the high-octane deluge he started on Ledbetter Heights by echoing the influences of B.B. King and Jimi Hendrix, all the while updating the blues for a new generation of guitar fans.

The 60s revolution was a failure. If it had succeeded, we’d be buying pre-rolled packs of “smokes” at the corner liquor store and consenting adults would give “free love” a whole new meaning. Spectacular failures, however, tend to have interesting and lasting implications. As a result, the 60s gave birth to civil rights, moral irresponsibility and Lenny Bruce. With the new millennium just on the horizon, the 90s have seen a resurgence of provocative influences. Madonna’s Erotica album and Sex book made sadomasochism vogue, while RuPaul and The Crying Game helped propel cross-dressing into a worldwide rage. But influence is measurable only by a person’s subjective perceptions.

Over the last 25 years, Aerosmith has definitely enjoyed the fruits of their labors. With over 70 million records sold world-wide, never-ending tours, video arcade games, a CD-ROM adventure game and a ground-breaking collaboration with rappers Run-DMC, the bad boys from Boston demonstrate that they are truly multi-dimensional. At the center of this onslaught are five totally dedicated musicians.

Various Rock Format Song Reviews - Queensrÿche, Hair Of The Dog, Our Lady Peace, Type O Negative

Reading through the history of INXS, one of Australia’s most prolific bands can be rather time consuming. Here’s the Reader’s Digest version: Over 20 million records sold, tens of thousands of concerts, numerous hit songs, MTV awards, Brit awards and several Grammy nominations – all by the same six men over the last seventeen years!

Snowboarding has become winter’s equivalent to extreme warm weather sports like in-line skating and skate boarding. Since 1989, snowboarding has experienced an unprecedented boom in the United States and across the world. During its early stages, there were less then 75,000 snowboarders across the U.S. As an initial estimate this number may seem significant, but it hardly compares to the predicted 12 million at the end of 1996. This group is not entirely made of men either, as females help make up a major part of this growth in participants. In 1989, the ratio was close to 9:1, males to females where as today it is closer to 3:2. There was also a period of time where the ski resorts were worried about the decline in guests and ski-related activities. Things have changed! Snowboarding has been credited with bringing the young and old alike back to the mountains in overwhelming numbers.

In spite of all their success as a touring band and at Adult Rock Radio, Widespread Panic has been able to maintain a very down-to-earth philosophy: emphasizing heavy rhythms with often inspiring musicianship. Listening to their music, one can’t help but be swept into a musical sanctuary. “Our songs are like musical getaways. They provide a path for the music to take off by itself,” is how guitarist and vocalist John “J.B.” Bell describes it. Renowned for their intense live shows before S.R.O. crowds across the country, as well as a back catalog of albums that continue to sell well, Widespread Panic has earned the respect of fans and fellow musicians alike. Their newest offering, Bombs & Butterflies, captures the raw energy that has helped propel them into being one of America’s most compelling live bands. “The studio is very different from a live show. We’re still trying to capture a sense of power” adds J.B., “but it’s more like a polished poem instead of seeing somebody ranting and raving on the street.”

True or false: the digital revolution is the next big thing? Depends on your perspective, really. If The Clapper offers all the technology you ever needed, then you may be seeing this so-called revolution as a “future” sort of thing. But, if you live for the possibility of a Pentium 6,000, you’re undoubtedly inclined to believe that it’s already happening, and with it, the emergence of a new subculture of interactionists on the quest for the ultimate in truth and knowledge. Multiple choice: which one sounds more like you?

With all the diverse musical influences and genres that are streaming out of the left coast, down South and back East, growing up in the Midwest can sometimes be a little overwhelming. When it comes right down to it, except for the dynamic music scene prevalent in Chicago, there really hasn’t been an identifiable Midwest rock sound – until now.

The digital revolution is being promoted as the next big thing. With it, a new culture has emerged, operating on the presence of an evolving generation; a sub-culture of interactionists on the quest for the ultimate in truth and knowledge. Are you ready for the adventure?