For over 25 years, ZZ Top has been playing rock & roll with various shades of blues for fans around the world – sometimes, with raw street-corner passion and sometimes with the polished licks that modern technology can provide. Over the years, the only rule has been that there are no rules. Whichever direction the trio heads has been governed by its collective gut, rather than some sort of organized master plan. Drawing from mean rhythms, Rhythmeen is full of tough, funky grooves and gritty electric guitar stylings – music derived from the earthy blues of Elmore James and the forward-thinking adventurous grindings of Jimi Hendrix. Call it modern barroom music; ZZ Top mixes traditional sensibilities with the raw power and energy of a band that is still (or just now?) hitting its stride. It was from these humble beginnings that ZZ Top are able to do what they do best – play their own interpretation of this art form that some cal funk or Texas blues and yet others simply refer to as good ol’ rock & roll. No matter how you classify it, the rough and tumble nature of Rhythmeen is evident from the first guitar blast serving as a useful reminder that this little ol’ band from Texas can still produce a mighty large sound.

‘…band members wanted: Must be into the Beatles, Buffalo Springfield and the Byrds…‘ This ad, placed in Los Angeles The Recycler, a classified newspaper used to sell cars, pets, stereo equipment, etc., was the instrumental ingredient that helped launch the career of the then soon-to-be singer/guitarist for the Bengals – Susanna Hoffs. Combining an avant-garde mélange of pop and rock, the band was to become one of the most popular precursors of the “riot grrl” movement. Despite their success, the constant threat of being taken more seriously for their appearance than their music and over-exposure by FM radio and the video channels caused the Bengals to disband in 1989. Subsequently, Susanna Hoffs moved on to pursue a successful solo career as a singer as well as an actress.

311 is one of the most explosive and experimental up-and-coming bands in the rock world today. Fusing hard rock with funk, rap and reggae, the band has created quite a potent musical cocktail. Growing up in the Midwest – Nebraska to be exact, where the East meets the West – has proven to some extent to be the perfect breeding ground for the sound of 311, as well as their many dimensions.

One of the most explosive and experimental bands in the rock world today, 311 fuse hard rock with funk, rap and reggae to create their own personal and very potent musical cocktail. Blending razor-sharp musicianship with such a diverse mixture of musical styles, 311 exhibit quite an aggressive attitude, both musically and politically. Drawing on a grassroots fan base that incorporates many different lifestyles and view points has helped catapult the band to Platinum record status and a #1 song at Alternative radio.

One of the most explosive and experimental bands in the rock world today, 311 fuse hard rock with funk, rap and reggae to create their own personal and very potent musical cocktail. Blending razor-sharp musicianship with such a diverse mixture of musical styles, 311 exhibit quite an aggressive attitude, both musically and politically. Drawing on a grassroots fan base that incorporates many different lifestyles and view points has helped catapult the band to Platinum record status and a #1 song at Alternative radio.

KCRW is unique in several ways. The most obvious being that we have a good balance of music, news and public affairs. We’re not a music station throughout the day. Between daylight hours, we have three hours of music of music, that’s Morning Becomes Eclectic with me. The rest of the daytime hours are news and public affairs. We don’t return to music again until 8pm, with Jason Bentley and Metropolis followed by Tricia Halloran and Brave New World. Essentially, the weeknight and weekend hours are devoted mostly to Alternative Music at KCRW. But that’s what makes us very unique. For a lot of people, KCRW is a music station. But when you look at it, we really don’t have a lot of airtime devoted expressly to music, very little of which is spent during daytime hours. That’s sort of a hurdle or handicap for us within the music business. But, I think it’s this balance and combination of all those different elements that make KCRW unique and special. You might be hearing news about events in Bosnia at one minute and then a garage band from Boston the next.

As a Los Angeles-based quartet, 311 have covered a lot of territory since their inception. With music influences that range from Sly and the Family Stone to Bob Marley, this Omaha-born band mixes hard-rock, funk, rap and reggae into a very potent music cocktail. Since the release of their debut, Music, in 1993, the band has released an album per year while supporting a nonstop touring schedule – selling out clubs and theaters nationwide, thanks mostly to their massive grassroots fan base. As the band prepared to embark on a national tour with Cypress Hill and The Pharcyde, Nick Hexum, Chad Sexton and Tim Mahoney invited me to their Laurel Canyon home to discuss life, music and the world of 311. Blending their razor-sharp wit and diverse musical knowledge with an aggressive attitude, the band has taken a rare musical ideology – the music path of positive outlook.

Various Country Music Reviews - Collin Raye, Kate Wallace, Kenny Chesney, Martina McBride, Stacy Dean Campbell, Tracy Lawrence

Various Country Music Reviews - Aaron Neville, Alabama, Carlene Carter, Clint Black, Jeff Foxworthy

Various Country Music Reviews - Brett James, John Berry, 4 Runner, Wade Hayes, Woody Lee